(insert unnecessarily long paragraph about the essence of game music)
- “Leaving Earth” from Mass Effect 3 – After having Jack Wall as composer for the first two Mass Effect games, for the third game an entirely new composing team led by Clint Mansell (who’s done scoring work on Black Swan, among others) was introduced. The majority of people were polarized, thinking that Mansell’s work would be inferior to Wall’s legacy. Then came this. A brass-knuckled wallop of raw emotion right into the haters’ faces. Or their ears, I suppose.
- “Adventure” from Fez – This game was one of the biggest indie hits since Minecraft became an overnight cultural phenomenon. Never have I listened to a chiptune song that has made my heart feel so nostalgic and warm. Now I feel like snuggling up in bed with a teddy bear, a turkey sandwich, and a warm glass of milk, while watching the sun set.
- “Mice on Venus” from Minecraft – What a convenient transition. This song actually took me–heck, the prospect of Minecraft having an OST took me by surprise. There’s nothing playing for the majority of the game, so when my friend and I played the Xbox edition, I was taken aback by the sheer beauty of the tracks. This is probably one of my favorites. It (or something like it) would be playing while the sun rose and it was the most amazing feeling of my life.
- “Simian Segue” from Donkey Kong Country – As I’ve said before, this is my favorite game on the Super Nintendo and one of my favorite games of all time. It’s not just the gameplay and the visuals (even though they’re both stellar), but the soundtrack by Dave Wise is killer. And here we have the absolute most infectious menu music of all time. Sure, compared to the atmospheric qualities of “Jungle Groove” (the iconic de facto theme song for the series) it’s just decent, but this song is bound to get your head bobbing, or your toes tapping, or something.
- “Prince Fleaswallow” from Parappa the Rapper – A quirky rhythm and nonsensical lines like “I’ve been working here since my mama was a baby” add to the surreal charm that this game provided. Probably when I go to a flea market now, this song will be echoing in the back of my head. It also goes without mentioning that it really sounds like this guy’s on…something. What does he sell again?
- “The Concept of Love” from Jet Set Radio Future – All I can say about this song is that it just embodies the feeling of rebellion, and gets stuck in your head really quickly. The grit that you can just feel throughout the song is a perfect accompaniment to the high-speed action within the game.
- “Fiesta de los Muertos” from Rayman Legends – This is one of the greatest games I’ve played in months, considering my gaming schedule went from regular and finely stretched to compressed into little clumps. And I spent one of those little clumps playing this game. Much like Dave Wise as mentioned above, Christophe Heral (who composed this game) knows what he’s doing when it comes to setting the proper music for the proper times. While the music’s awesome on its own, playing the level that it corresponds with and listening to it makes the experience five times better. Still a great song, though.
- “Peril” from Halo 2 – This song’s been with me for a while, despite me having no memory of playing the actual game. When I uploaded this some time ago on my Tumblr, I described it as something along these lines. “This song is playing while I’m smoking a cigar, gunning someone down with one hand and slitting another’s throat with the other. In slow motion. In a burning building.”
- “Sign of the Colossus” from Shadow of the Colossus – Even to this day, this game is highly acclaimed and revered for its powers to bind gameplay and music to create groundbreaking aesthetics never seen before in any prior gaming experiences. From the instruments that jump in and fade out ominously to the excellently jarring piano, this song could probably epitomize the game. That is, if every track didn’t stand out on its own already.
- “Mine, Windbag, and Mine” from Bastion – A highlight off of a critically acclaimed OST. A very vast soundscape that starts out mellow and acoustic but then gets energetic, building up steadily and getting gradually more awesome as the song continues. The appropriate sound effects of metallic clangs in the background add to the atmosphere.
So those were some tracks.
I hope you liked them.
Until next time.
(jumps into unknown abyss)